Sectional rehearsal
Members of the same section (e.g. plucked strings such as guzheng, yangqin and pipa) gather to rehearse their parts together, supervised or conducted by section leaders or the VP Music.
Everything you need for your first season with MCO: who we are, how the year runs, what we expect at rehearsals, and the musical basics to know before day one.
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Welcome to McGill Chinese Orchestra (MCO), a community of musicians and enthusiasts dedicated to showcasing the rich heritage of Chinese orchestral music.
We bring together traditional instruments, modern expressions, and diverse talents to create unforgettable performances. Whether you are an amateur musician or a professional performer, MCO gives you the dream stage for Chinese music performance.


General questions for the whole committee: mco@ssmu.ca
Every member of the McGill Chinese Orchestra pays a membership fee of $25.00 CAD. The fees make up the club budget for organizing the concert and bonding activities.
A cycle in our club lasts between October and March, during which we aim to complete rehearsals and a final performance, which may take the form of an annual concert or a video recording of multiple music pieces.
Prior to the start of each cycle, members must agree to participate. This consent must be given before the cycle begins and cannot be withdrawn after one week from the start or after the completion of the first rehearsal, whichever comes first.
The schedule for each cycle, including the dates and times of all rehearsals, will be published one week before the official start date of the cycle. This advance notice gives members ample time to arrange their personal schedules, and gives the club a chance to adjust dates to accommodate as many participating members as possible.
In the event of an absence due to an exam, performance, travel conflict, or illness, members must inform the VP Internal Affairs at least one day before the scheduled orchestral or sectional rehearsal.
Same-day absence requests or absences without prior notice are not permitted.
Rehearsal times are determined based on the collective availability of all members, so each member is expected to manage their schedule responsibly. This limit underscores the importance of commitment in maintaining the integrity of our rehearsal schedule.
No more than two excused absences per semester.
Failure to adhere to the attendance policy may result in the member being removed from the current cycle.
Bonding events are organized throughout the year at the discretion of the VP Internal Affairs and announced in person or on WeChat beforehand. Anyone is welcome to propose ideas, and getting to know each other is strongly encouraged.

风土之声Echoes of the Land
The Annual Concert is far more than a performance: it is the apex of MCO's academic year and the most significant event on its calendar. It is the culmination of months of individual practice, collective rehearsal and organizational logistics, sharing Chinese music, culture and heritage with the public.
10-minute intermission
The programme is chosen collectively by MCO members of the previous academic year, after their Annual Concert. Everyone is encouraged to perform in small ensembles on top of the orchestral pieces; register with the VP Music if you would like to take part.
Performers are selected at the discretion of the VP Music and the President, and are announced before scores are distributed.



MCO performs at several gigs throughout the academic year, which are major fundraising events for the club. Members are not paid for gig performances, but are strongly encouraged to take part to gain performing experience and strengthen social connections. An allowance for a post-gig celebration may be approved by the President and the VP Finance on request.
Gig dates are not fixed in advance; they are announced in person and on WeChat as soon as MCO receives an invitation. Sign up with the VP Internal Affairs if you would like to play. Pieces and rehearsals are decided by the VP Music or the committee member in charge of that gig.
Members of the same section (e.g. plucked strings such as guzheng, yangqin and pipa) gather to rehearse their parts together, supervised or conducted by section leaders or the VP Music.
Everyone performing a given piece is expected to be present, across all sections: bowed strings, plucked strings, Western strings, winds and percussion. The conductor of the piece runs the session and reports progress to the VP Music and/or President.
Kept up to date by the committee. Numbers under a piece give its place in that day's running order; a number before a sectional entry counts that section's sessions.
| Date | Time & place | 弦乐Strings | 弹拨Plucked strings | 打击Percussion | 管乐Winds | TuttiRunning order |
|---|---|---|---|---|---|---|
| Sep.16 | 1河西走廊之梦( reading only) | |||||
| Sep.19 | 4:30-6:30 pmSchulich | 1河西走廊之梦、在那遥远的地方 | ||||
| Sep.20 | 2-3:45 pmSchulich | 1河西走廊之梦、在那遥远的地方 | ||||
| Sep.22 | 7-8:30 pmSchulich | 2河西走廊之梦、在那遥远的地方 | ||||
| Sep.26 | 1-3 pmSchulich | 2河西走廊之梦、在那遥远的地方 | ||||
| Sep.30 | 7-8:30pmSchulich | 3河西走廊之梦 | ||||
| Oct.3 | 4:30-6:30pmSchulich | 2在那遥远的地方、河西走廊之梦、瑶族舞曲 | ||||
| Oct.3 | 3-4:30p mSchulich | 3河西走廊之梦、在那遥远的地方、象王行 | ||||
| Oct.7 | 7-8:30pmSchulich | 4河西走廊之梦、在那遥远的地方 | ||||
| Oct.17Next | 4run through: 河西走廊之梦、在那遥远的地方、象王行 start:山丹丹 、瑶族舞曲 | |||||
| Oct.17Next | 4:30-6:30pmSchulich | 3河西走廊之梦、在那遥远的地方、象王行、山丹丹、瑶族舞曲 | ||||
| Oct.24 | 4:30-6:30pmSchulich | 4河西走廊之梦、在那遥远的地方、象王行、山丹丹、瑶族舞曲 | ||||
| Oct.24 | Schulich | 5串烧、瑶族舞曲 | ||||
| Oct.31 | 9:30am- 12:30pmSchulich c-304 |
| ||||
| Same session, continued | Schulich | 河西走廊之梦、在那遥远的地方 | 河西走廊之梦、在那遥远的地方 | 河西走廊之梦、在那遥远的地方 | 河西走廊之梦、在那遥远的地方 | |
| Nov.14 | 9:30am-12:30pmSchulich c-304 |
| ||||
| Same session, continued | Schulich | 象王行、山丹丹 | 象王行、山丹丹 | 象王行、山丹丹 | 象王行、山丹丹 | |
| Nov.28 | 2-5pm |
| ||||
| Same session, continued | Schulich | 象王行、山丹丹 | 象王行、山丹丹 | 象王行、山丹丹 | 象王行、山丹丹 | |
| Dec.12 | 2-5pm |
| ||||
| Same session, continued | Schulich | 串烧、瑶族舞曲 | 串烧、瑶族舞曲 | 串烧、瑶族舞曲 | 串烧、瑶族舞曲 | |
| Dec.26 | ||||||
| Jan.2 | 2-5pm |
| ||||
| Same session, continued | Schulich | 串烧、瑶族舞曲 | 串烧、瑶族舞曲 | 串烧、瑶族舞曲 | 串烧、瑶族舞曲 | |
| Jan.16 | 2-5pm |
| ||||
| Same session, continued | Schulich | 河西走廊之梦、在那遥远的地方、象王行 | 河西走廊之梦、在那遥远的地方、象王行 | 河西走廊之梦、在那遥远的地方、象王行 | 河西走廊之梦、在那遥远的地方、象王行 | |
| Jan.30 | 2-5pm |
| ||||
| Feb.6 | 2-5pmSchulich | 山丹丹、串烧、瑶族舞曲 | 山丹丹、串烧、瑶族舞曲 | 山丹丹、串烧、瑶族舞曲 | 山丹丹、串烧、瑶族舞曲 | |
| Feb.13 | 2-5pm |
| ||||
| Feb.20 | 2-5pm |
| ||||
| Feb.27 | 2-5pm |
| ||||
| Mar.6 Concert |

If an emergency keeps you from a rehearsal, contact the VP Internal Affairs immediately to explain the situation.
Follow the conductor's baton: each beat of the bar lands on a point of the pattern, and beat 1 is always the downstroke.
| Symbol | Name | 中文 | Meaning |
|---|---|---|---|
| crescendo | crescendo | 渐强 | Gradually getting louder |
| decrescendo / diminuendo | decrescendo / diminuendo | 渐弱 | Gradually getting softer |
| pp | pianissimo | 超弱 | Very soft |
| p | piano | 弱 | Soft |
| mp | mezzo piano | 中弱 | Fairly soft |
| mf | mezzo forte | 中强 | Fairly loud |
| f | forte | 强 | Loud |
| ff | fortissimo | 超强 | Very loud |
| sfz | sforzando | 突强 | Sudden accent |
The same rhythms in numbered notation (简谱), on the down-up motion of the beat, and on the staff (五线谱).
| Jianpu简谱 | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| Beat motion节奏图形 | |||||||||
| Staff五线谱 | One quarter note | Two eighth notes | Four sixteenth notes | An eighth then two sixteenths | Two sixteenths then an eighth | Sixteenth, eighth, sixteenth | A dotted eighth then a sixteenth | A sixteenth then a dotted eighth | An eighth-note triplet |

For accel., rit. and fermatas in an orchestral piece, looking at the conductor is absolutely required!

MCO Executive Committee